False Associations
By Loki Hulgaard
FALSE
ASSOCIATIONS are
the typical means through which Jewry destroys or weakens or disempowers
the 'Other'
enemy, their culture; persons; race or whatever related to themselves
serves as a source of strength
and power and protection against Jewish violence. A classic example is
the attempt to associate the
swastika with the 'holocaust' (the fabulous tale of the 6 million) as a
means of justifying the criminalization
and censor of this symbol. This can be extended (an extension often
undergone by the power-mad
Jew as a means of cancerously expanding his power over all and sundry)
to the entire race who
is vilified and demonized by this false association built into the
constructive narrative of Jewry.
Hence
to falsely associate White people as a collective with the Jewish
created and controlled Catholic Church
and British Empire is not only a tactic of transference of blame away
from themselves but is a scapegoating
and victim blaming tactic based upon this false association.
The
invention or fabrication
of false historical narratives;
fables; parables or tales is yet another tactic on the part of Jewry as
means of deceiving their opponents into believing that which is not true
is true,
in effect buying the simulacral (fake; counterfeit) symbol; story or
Idea and perverting or outright destroying
the truth. This is what had transpired when the Jews wrote the old and
new Testaments an invented a narrative of supremacism and victimhood
which they cloak themselves in as Joseph in his Technicolor dream cloak in
Pharaonic Egypt. This serves their purpose, this invention of lies and
passing
them off as truth, of obtaining power-by stealth through having their
enemies subscribe to narratives
favorable to the Jews and harmful to themselves as means of
disempowering their enemy while
simultaneously empowering Jews.
The narratives scribed by the Jew typically come in the form of what may be called 'Semitic pathos' a product of their lunar consciousness and are typically bound up with all manner of course, vulgar elements. The latter and the former (pathos) can be seen in any of the melodramatic media vehicles (movies; sitcoms; dramas, etc.) wherein victims are idealized and placed upon a pedestal and all of that which is healthy and strong, all genius and the flower of 'humanity' is derided; mocked and aspersed. This is characteristic of the Jewish morality as so well-articulated in Nietzsche's works.